CURRENT EXHIBITIONS

14 August - 26 September 2019
FIGURAL: Imagery and Association
Opening: 11 am - 2 pm Sunday 11 August 
Defiance Gallery, Newtown 
47 Enmore Rd, Newtown Sydney 
www.defiancegallery.com
Works by artists exploring the figure in their art practice: Ana Pollak Anita Larkin Clara Hali Gemma Avery Helen Gauchat Ingrid Morely Renata Pari-Lewis Joe Furlonger Michael Buzacott Roy Jackson

28 September 2019 – 1 December 2019
Opening 1st November
EXPLODED TEXTILES
Tamworth Regional Gallery 

https://www.artgallery.nsw.gov.au/media-office/exploded-textiles/

A partnership between the Art Gallery of NSW and Tamworth Regional Gallery, 'Exploded Textiles' was initiated to celebrate Tamworth Regional Gallery’s 100-year anniversary. Curated by the Art Gallery of NSW’s special exhibitions curator Jackie Dunn, the selected works explode the standard notion of textile art, challenging and expanding its potential as a medium to make connections, create dialogue, and speak of memory and identity.

Australian and international artists in the exhibition include John Barbour, Tracey Emin, Mavis Ganambarr, Anne Graham, Rubaba Haider, Mona Hatoum, Narelle Jubelin, Jonathan Monk, Raquel Ormella, Regina Pilawuk Wilson, Justin Trendall and Ronnie Van Hout (AGNSW collection) and Penny Evans, Dale Frank, Julie Gough, Amy Hammond, Lucy Irvine, Anita Larkin, Martha McDonald and Linda Lou Murphy (Tamworth collection).

23 May 2020 – 30 August 2020
opening night 29 May
COME TO ME WITHOUT A WORD
Wollongong Art Gallery 
www.wollongongcitygallery.com
Solo exhibition

Collected objects that have physically supported a human body can hold particular resonance within our psyche. Used chairs, ladders, crutches, or beds are oblique witnesses to absent lives and past events. There is presence within absence and absence within presence. The objects that I find come to me interrupted. They are unbelongings. Abandoned, broken or missing parts, they reside in a liminal state and are thus laid open to becoming something other, to being extended beyond their objecthood toward the Uncanny. Combining these interrupted objects with each other, with felt, beeswax, honey and lead, they open themselves up as intimate poetry. Larkin explores interrupted objects as a type of language, a tacit lingua that often bypasses the brain and finds itself a knowing within the gut and the heart; places where human love and loss are most deeply felt. 




 



Sections

current Exhibitions

CURRENT EXHIBITIONS

14 August - 26 September 2019
FIGURAL: Imagery and Association
Opening: 11 am - 2 pm Sunday 11 August 
Defiance Gallery, Newtown 
47 Enmore Rd, Newtown Sydney 
www.defiancegallery.com
Works by artists exploring the figure in their art practice: Ana Pollak Anita Larkin Clara Hali Gemma Avery Helen Gauchat Ingrid Morely Renata Pari-Lewis Joe Furlonger Michael Buzacott Roy Jackson

28 September 2019 – 1 December 2019
Opening 1st November
EXPLODED TEXTILES
Tamworth Regional Gallery 

https://www.artgallery.nsw.gov.au/media-office/exploded-textiles/

A partnership between the Art Gallery of NSW and Tamworth Regional Gallery, 'Exploded Textiles' was initiated to celebrate Tamworth Regional Gallery’s 100-year anniversary. Curated by the Art Gallery of NSW’s special exhibitions curator Jackie Dunn, the selected works explode the standard notion of textile art, challenging and expanding its potential as a medium to make connections, create dialogue, and speak of memory and identity.

Australian and international artists in the exhibition include John Barbour, Tracey Emin, Mavis Ganambarr, Anne Graham, Rubaba Haider, Mona Hatoum, Narelle Jubelin, Jonathan Monk, Raquel Ormella, Regina Pilawuk Wilson, Justin Trendall and Ronnie Van Hout (AGNSW collection) and Penny Evans, Dale Frank, Julie Gough, Amy Hammond, Lucy Irvine, Anita Larkin, Martha McDonald and Linda Lou Murphy (Tamworth collection).

23 May 2020 – 30 August 2020
opening night 29 May
COME TO ME WITHOUT A WORD
Wollongong Art Gallery 
www.wollongongcitygallery.com
Solo exhibition

Collected objects that have physically supported a human body can hold particular resonance within our psyche. Used chairs, ladders, crutches, or beds are oblique witnesses to absent lives and past events. There is presence within absence and absence within presence. The objects that I find come to me interrupted. They are unbelongings. Abandoned, broken or missing parts, they reside in a liminal state and are thus laid open to becoming something other, to being extended beyond their objecthood toward the Uncanny. Combining these interrupted objects with each other, with felt, beeswax, honey and lead, they open themselves up as intimate poetry. Larkin explores interrupted objects as a type of language, a tacit lingua that often bypasses the brain and finds itself a knowing within the gut and the heart; places where human love and loss are most deeply felt. 




 



Sections